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Recent Posts

Misery Loves the Queens Road Barn March 20, 2023
Monteverdi Validated at Myers Park With Venetian Vespers March 15, 2023
Mei-Ann Chen Rocks the Knight in CSO Debut February 27, 2023
BNS Conquers Adversity in Opening of Speakeasy, Shining at the New Parr Center February 27, 2023
Off-Broadway Star Shines in Three Bones’ Andy and the Orphans February 23, 2023
Cerrudo Revives Innovative Works With Fresh Excitement February 17, 2023
Opera Carolina’s “Porgy and Bess” Remains True to Gershwin and Heyward February 7, 2023
Parameswaran Delights With Eclectic Mix of Moderns February 5, 2023
Shakespeare Is a Thieving Magpie in Theatre Charlotte’s “Something Rotten!” February 2, 2023
Envy, Racism, and Pure Evil Explode in A Soldier’s Play January 23, 2023
Ryan and CSO Launch 2023 in American Style, with a Wisp of Freedom-Fighting Ukraine January 23, 2023
JazzArts Sweetens Ellington’s Nutcracker Suite With Jazzy Elzy Choreography December 29, 2022
It Takes Two to Tina December 29, 2022
“Sunlight and Solstice” Balances Seasons, Continents, and Testaments December 11, 2022
For Alanis Fanatics, “Jagged Little Pill” Is Easy to Swallow December 4, 2022
Joy and Akinmusire Cap SeixalJazz 2022 November 30, 2022
DREAMers on Guard in Three Bone’s “Sanctuary City” November 24, 2022
Rhiannon Giddens Returns to Charlotte and Leaves Plenty of Music in the Air November 18, 2022
“Hadestown” Serves Up a Jazzy, Godly Nectar November 14, 2022
Charlotte Ballet Roars into a New Era With FALL WORKS November 7, 2022
Stunning and Grand, Opera Carolina Recreates the Original Designs of “Tosca” October 18, 2022
New Charlotte Symphony Season Brings New Sounds and Welcome Echoes October 16, 2022
Delayed More Than Two Years, Saint-Saëns’ “Organ Symphony” Gets a Powerhouse CSO Performance October 12, 2022
Gelb and La Fiesta Latin Jazz Quintet Dim the Party Lights on New CD September 16, 2022

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